PDF Download Berthe Morisot By Kathleen Adler, Tamar Garb
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Berthe Morisot By Kathleen Adler, Tamar Garb
PDF Download Berthe Morisot By Kathleen Adler, Tamar Garb
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- Sales Rank: #13112015 in Books
- Published on: 1987-06
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 9.75" w x .75" l,
- Binding: Hardcover
From the Back Cover
The book considers her work in the context of the artistic debates of the time, particularly arguments about the degree of finish required for a painting and the appropriateness of modern life subject-matter.
About the Author
Kathleen Adler is Director of Education at the National Gallery, London. Erica E. Hirshler is Croll Senior Curator of Paintings, Art of the Americas, Museum of Fine Arts, Boston. H. Barbara Weinberg is the Alice Pratt Brown Curator of American Paintings and Sculpture at The Metropolitan Museum of Art, New York. David Park Curry is Senior Curator of Decorative Arts and American Painting and Sculpture at the Baltimore Museum of Art. Rodolphe Rapetti is Chief Curator of Patrimony and Deputy Director at the Direction des Musées de France, Paris. Christopher Riopelle is Curator of Nineteenth-Century Paintings at the National Gallery, London.
Tamar Garb is Durning Lawrence Professor in the History of Art, and head of the History of Art History department at University College London. She has written widely on portraiture and the body in nineteenth century art and visual culture, on contemporary art and on issues of race and representation. Key publications include Bodies of Modernity: Figure and Flesh in Fin de Siecle France (1994) and The Painted Face: Portraits of Women in France 1814 - 1914 (2007). She was curator in 2008 of the exhibition Land Marks/ Home Lands: Contemporary Art from South Africa at the Haunch of Venison Gallery and of Gauguin: Maker of Myth at Tate Modern (2010) and The National Gallery of Art, Washington.
Tamar Garb is Durning Lawrence Professor in the History of Art, and head of the History of Art History department at University College London. She has written widely on portraiture and the body in nineteenth century art and visual culture, on contemporary art and on issues of race and representation. Key publications include Bodies of Modernity: Figure and Flesh in Fin de Siecle France (1994) and The Painted Face: Portraits of Women in France 1814 - 1914 (2007). She was curator in 2008 of the exhibition Land Marks/ Home Lands: Contemporary Art from South Africa at the Haunch of Venison Gallery and of Gauguin: Maker of Myth at Tate Modern (2010) and The National Gallery of Art, Washington.
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