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From Library Journal
As a virtually unrevised but exceptionally thorough dissertation focusing on a narrow slice of African American culture and making use of extensive poststructuralist, semiotic, and postcolonial theory, Krasner's study is clearly intended for specialists. In examining productions by African American theatrical companies in the period following the zenith of minstrelsy, Krasner (theater studies, Yale) proposes that various techniques (e.g., parody) and an overall Du Boisian double consciousness were used by several major performers to resist the worsening racism while not alienating white audiences. Krasner's combination of extensive archival research and far-ranging knowledge provides an exhilarating intellectual experience for advanced scholars; the chapter on the social construction of cakewalking is particularly brilliant. Institutions supporting advanced degrees in American theater or African American studies should certainly acquire this. Although written from a musicological perspective, Thomas L. Riis's Just Before Jazz: Black Musical Theatre in New York, 1890-1915 (LJ 11/1/89) is a somewhat more accessible study suitable for lay readers.?Robert W. Melton, Univ. of Kansas Libs., Lawrence
Copyright 1997 Reed Business Information, Inc.
Review
"Krasner's combination of extensive archival research and far-ranging knowledge provides an exhilarating intellectual experience." - Library Journal
"The first winner of the Errol Hill Award for notable studies of African American theater, Krasner's insightful book examines a slighted period in the history of theater and entertainment." - Choice
About the Author
David Krasner is Director of Undergraduate Theatre Studies at Yale University.
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